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The parents scratched their heads. What are the parts of the Royal Claddagh Ring?
The child were stationed back-to-back. Manny read their question, What is the poem about the Royal Claddagh ring?
Emma started typing, With this crown, I give my loyalty. With these hands, I offer my service. With this heart, I give you mine. In love, in friendship, let us reign. Ana had shared this poem with her many times, for she knew that Emma loved poetry.
Their parents were on the brink of giving up. All of the sudden, Samantha Miller recalled the recent tragedy of actress Natasha Richardson, who had died after hitting her head during a ski accident. According to a news report, her mahogany coffin had been emblazoned with the Royal Claddagh symbol, signifying love, friendship, and loyalty.
Samantha couldn’t remember what the three symbols were.
“Okay, let’s say a heart for love,” Tom told her. She typed it in. They were stuck. There was fifty seconds left.
Samantha started twisting her wrist. Then she took two right fingers and started twisting them around her wedding ring. She recalled that Ana, Emma’s Irish friend, had a ring with a heart on it. But it had two more things. Anna had shown it to her. What were the other two things?
Tom pointed out that the question said Royal, but she dismissed him. She wondered whether the new article might have said love, friendship, and royalty. Then she remembered that there was a crown on top of the heart. Tom was right! She type in Crown”.
Emma’s Fantasique Word Play by Shirley A. Franklin
“I fell in love with my husband at first sight. I had always dreamed of a ring with two hands holding something, what I never knew. As a young woman I got engaged with a very different kind of ring. But thirty years later I was able to marry my true real love. We bought two Claddagh rings. Now my beloved husband as died, how should I wear my ring now? I don’t want to take it off.” Germany.
Extract from “The History of the Town and County of the Town of Galway From the Earliest Period to the Present Time“, 1820, By James Hardiman, Esc. (Member of the Royal Irish Academy and Sub-commissioner on the Public Records).
This old Galway family is of ancient and honourable English descent, and was allied to the Welch and British princes. Thomas Joyes, the first of the name that came to Ireland, sailed from Wales in the reign of Edward I, and arrived with this fleet at Thomond in Munster, where he married Onorah O’Brien, daughter of the chief of that district; from thence, putting to sea, he directed his course to the western part of Connaught, where he acquired considerable tracts of territory, which his posterity still inhabit. While on the voyage, his wife was delivered of a son, whom he named Mac Mara, son of the sea, he extended his father’s acquisitions, and from him descended the sept of the Joyces, a race of men remarkable for their extraordinary stature, who, for centuries past inhabited the mountainous district, in Iar Connaught, called from them, Duthaidh Sheodhoigh, or Joyce country, now forming the barony of Ross, in the County of Galway, and from which where formerly tributary to the O’Flaherties.38 Walter Jorse, Jorze or Joyce, brother of Thomas, Cardinal of Sabina, of this name and family, was Archbishop of Armagh, he resigned in 1311, and was succeeded by his brother Roland. The former was confessor to Edward II. and was author of several works.39 The families of Joyes-grove in the County of Galway, Oxford in Mayo, and Woodquay in the town of Galway, with that of Merview, near the town, are the present descendants of this old family.
Arms. Argent, an eagle displayed, with two necks, gules, over all Fess Ermine. Crest. A demi wolf-rampant, argent, ducally gorged, or.40 Motto, Mors aut honorabilis vita.
38 Mac Mara Joyes was first married to the daughter of O’Flathery, prince of Iar Connaught. The most remarkable of his descendants, besides the above, was William Joyes, who was married to Agnes Morris, being on his travels from Italy to Greece, he was taken prisoner by the Saracens, and brought to Africa, from whence, after a variety of adventures, and undergoing a captivity of seven years, he escaped to Spain; while here, his exalted virtues were rewarded by heaven according to the pedigree of the family, in an extraordinary manner; for, as they relate, an eagle flying over his head, pointed out to him a place, where he discovered vast treasures; with which returning to Galway, he contributed larges sums towards building the walls, church and other public edifices of the town. He dies, leaving three sons James, Henry and Robert, and was interred in the Franciscan friary.
Heaven was again propitious to another of this family; Margaret Joyes, great grand daughter of the above names William, who was surnamed, Margaret na Drehide, Margaret of the Bridges, from the great number which she built. The story of this singular woman is till current amongst her descendants. They relate she was born of reduced but genteel parents and was first married to Domingo de Roma, a wealthy Spanish merchant who traded to Galway, where, he fell in love with, and married her; and soon after departing for Spain, died there, leaving her mistress of an immense property. Upon his decease, having no issue by him, she married Oliver Oge Ffrench, who was Mayor of Galway in 1596. So far the narrative is probable and consistent but what follows will try the credulity of the reader. It relates that this lady, during the absence of her second husband, on a voyage, erected most part of the bridges of the Province of Connaught, at her own expense! and, that as she was one day sitting before the workmen, an eagle, flying over her head, let fall into her palm, a gold ring adorned with a brilliant stone, the nature of which no lapidary could ever discover. It was preserved by her descendants, as a most valuable relique in 1661 (the date of the MS. from which this account is taken,) as a mark supposed to have been sent from Heaven of its approbation of her good works and charity!! This fable though still piously believed, by some of this family, was humorously ridiculed by Latocaaye, an incredulous French traveller, who visited Galway about the end of the last century.
Cornet Joyes commanded the guard that conducted Charles I to the scaffold, but it does not appear that he was of this descent.
Several individuals of this name have long felt grateful to the memory of William III. from the following circumstance, on the accession of that monarch to the throne of England. One of the first acts of his reign was to send an ambassador to Algiers to demand the immediate release of all the British subjects detained there in slavery, the dey and council, intimidated, reluctantly complied with this demand. Among those released, was a young man of the name of Joyes, a native of Galway, who, fourteen years before, was captured on his passage to the West Indies, by an Algerine Corsair; on his arrival at Algiers, he was purchased by a wealthy Turk who followed the profession of a goldsmith, and who observing his slave, Joyes, to be tractable and ingenious, instructed him in his trade in which he speedily became an adept. The Moor, as soon as he heard of his release, offered him, in case he should remain, his only daughter in marriage, and with her, half his property, but all these, with other tempting and advantageous proposals, Joyes resolutely declined; on his return to Galway he married, and followed the business of a goldsmith with considerable success, and , having acquired a handsome independence, he was enabled to purchased the estate of Rahoon, (which lies about two miles west of the town,) from Colonel Whaley, one of Cromwell’s old officers. Joyes, having no son, bequeather his property to his three daughters, two of whom only were married, one, to Andrew Roe French, ancestor to the late Andrew French, of Rahoon, to whom, in addition to their own, the unmarried sister left her third; the second daughter was married to the ancestor of the late Martin Lynch, a banker, who, in her right, inherited the remainder of the estate. In gratitude for this act of King William, this family long after solemnised his accession to the throne by bonfires, and his victories in Ireland by exhibiting Orange lilies, on the 1st and 12th of July. Some of Joyes’ silver work, stamped with his mark, and the initial letters of his name, are still remaining. A very curious pedigree of this family, is recorded in the Office of Arms. Vol. 10.
39 Ware and De Burgo.
40 This is the crest on the map, that now used, is a Demi Griffin, sergeant.
“The Claddagh was a great disappointment to me. I heard that it was not safe to venture into it alone. I got up early and had sunshine with me when I strolled through the Claddagh. I saw no extreme poverty there. Most of the houses were neatly whitewashed; all were superior to the huts among the ruins at Athenry. The people were very busy, very comfortably clothed, and, in a way, well-to-do looking. Some of the houses were small and windowless, something the shape of a beehive, but not at all forlornly squalid. They make celebrated fleecy flannel here in Claddagh. They make and mend nets. They fish. I saw some swarthy men of foreign look, in seamen’s clothes, standing about. You will see beauty here of the swarthy type, accompanied by flashing black eyes and blue black hair, but I saw lasses with lint white locks also in the Claddagh. The testimony of all here is that the Claddagh people are a quiet, industrious, temperate and honest race of people. I am inclined to believe that myself. It is a pretty large district and I wandered through it without hearing one loud or one profane word. I was agreeably disappointed in the Claddagh. Claddagh has a church and large school of its own.
There is difference perceptible to me, but hardly describable between the Galway men and the rest of the West. The expression of face among the Donegal peasantry is a patience that waits. The Mayo men seem dispirited as the Leitrim men also do, but are capable of flashing up into desperation. The Galway men seem never to have been tamed. The ferocious O’Flaherties, the fierce tribes of Galway, the dark Spanish blood, have all left their marks on and bequeathed their spirit to the men of Galway. I met one or two who, like some of the Puritans, believed that killing was not murder, who urged that if the law would not deter great men from wrong-doing it should not protect them.” – Margaret Dixon McDougall; “The Letters of “Norah” on her Tour Through Ireland”; 1882.
An original symbol of the Galway town of Claddagh, Ireland, (pronounced “klahda”) was first fashioned into the traditional ring back in the 17th Century during the reign of Mary II.
Legend has it that an Irish young man, Richard Joyce, bound for the West Indian slave plantations – no doubt the Irish Caribbean island of Montserrat – was kidnapped himself in rough seas by a band of Mediterranean pirates and sold to a Moorish goldsmith who over the many long years of his exile helped him perfect the skills of a master craftsman.
When in 1689 King William III negotiated the return of the slaves, Joyce returned to Galway – despite, it said, the Moor’s offer of the daughter’s hand in marriage and a princely dowry of half of all his wealth.
Back in Ireland a young women had never stopped faithful waiting for her true love to return. Upon which time when he presented her with the now famous Royal Claddagh gold ring – a symbol of their enduring love. Two hands to represent their friendship, the crown to signify their loyalty and lasting fidelity, and the sign of the heart to symbolise their eternal love for each other.
They soon married, never to be separated again.
“Several individuals of this name have long felt grateful to the memory of William III. from the following circumstance, on the accession of that monarch to the throne of England. One of the first acts of his reign was to send an ambassador to Algiers to demand the immediate release of all the British subjects detained there in slavery, the dey and council, intimidated, reluctantly complied with this demand. Among those released, was a young man of the name of Joyes, a native of Galway, who, fourteen years before, was captured on his passage to the West Indies, by an Algerine Corsair; on his arrival at Algiers, he was purchased by a wealthy Turk who followed the profession of a goldsmith, and who observing his slave, Joyes, to be tractable and ingenious, instructed him in his trade in which he speedily became an adept. The Moor, as soon as he heard of his release, offered him, in case he should remain, his only daughter in marriage, and with her, half his property, but all these, with other tempting and advantageous proposals, Joyes resolutely declined; on his return to Galway he married, and followed the business of a goldsmith with considerable success” James Hardiman, The History of the Town and County of the Town of Galway.
The Royal Claddagh ring is worn by people all over the world as a symbol of love, loyalty, friendship and fidelity. The hands are there for friendship, the heart is there for love. For loyalty throughout the year, the crown is raised above.
Wearing the Claddagh Ring
- Worn on the right hand, with crown and heart facing out, the ring tells that the wearer’s heart is yet to be won.
- While under love’s spell it is worn with heart and crown facing inwards.
- Wearing the ring on the left hand, with the crown and heart facing inwards, signifies that your love has been requited.
The Claddagh Tradition
The traditional wedding ring of the Irish since the 17th Century, the Claddagh ring is worn by people all over the world as a universal symbol of love, loyalty, friendship and fidelity.
Traditionally handed down from mother to daughter the Royal Claddagh ring has also become a symbol of our ties with the past and generations gone by. As Irish people we remember the many many of our people who had to leave Ireland with nothing but their lives during the Great Famine of the 19th Century – many leaving from here in Cork harbour to make the long voyage across the Atlantic to America. The gold Royal Claddagh ring was to become for many the only enduring link with their home country and practically their only savings and family inheritance.
Further reflecting the troubled history of Ireland itself, a hundred years ago the Fenian ring, with two hands and two hearts, was distinguishing by its lack of a crown to represent the struggle for Republican Ireland – however the traditional Royal Claddagh ring has always remaining the Irish standard proudly wearing the crown as a symbol of loyalty, a remembrance of our ancient Irish Kingdoms, and of our own British heritage.
Notable wearers of the Claddagh ring have included Queen Alexandria and King Edward VII of Britain and Queen Victoria of Britain and Ireland as it was then – a woman for whom the streets of Dublin where lined with cheering people. And in the little principality of Monaco, the Claddagh tradition lives on in the Royal family of Monaco and the memory of the beautiful Irish princess – Princess Grace of Monaco.
“The Governor of New York, George Pataki, was accompanied by his mother, Peggy Lynch, among others, at last week’s annual fundraising dinner for the Flax Trust, which promotes economic development in the North, at the Waldorf Astoria in Manhattan. Pataki, addressing the guests, said that when Brian Cowen was in New York recently, visiting Ground Zero, he had told him that he was asked by the parents of a missing city firefighter to inquire of the chief of the NYPD if a claddagh ring had been found in the wreckage. “Minister,” the chief told Cowen, “we have found 200 Claddagh rings.”
The ring, by which they had hoped to identify the body of their son, depicts two hands clutching a crowned heart symbolising love, friendship and fidelity. It was designed by Richard Joyce in Galway three centuries ago. It is as popular on the other side of the Atlantic as it is here. The discovery so early of so many in the ruins underlined “the loss suffered here and in Ireland”, said Pataki.” Irish Times, Weekend Sat, Oct 13, 01.
Today in the twenty-first Century, however, perhaps the most famous wearer of the Claddagh ring is the famous Buffy of Buffy the Vampire Slayer fame. A present to her on her 17th birthday from her vampire lover, Angel, the ring was to symbolise their enduring love for each other – in spite of the obvious difficulties and even one day call Angel back from Hell.
“My people – before I was changed – they exchanged this as a sign of devotion. It’s a Claddagh ring. The hands represent friendship, the crown represents loyalty … and the heart … Well, you know … Wear it with the heart pointing towards you. It means you belong to somebody. Like this.” Buffy, The Vampire Slayer, Episode “The Surprise”.
“Claddagh ring shows the design of two hands embracing a heart topped by a crown, from the traditional fishing village of Claddagh (on the edge of mediaeval Galway City). A symbol of love (the heart), friendship (the hands) and loyalty (the crown) given as a token of lasting affection. Often worn as wedding rings, they were kept as heirlooms and passed from grandmother to granddaughter. Also the name of a song. [<cladach ‘rocky seashore’]
‘The governor of New York, for example, mentioned recently that roughly 200 Claddagh rings had been recovered already. I suppose that might have something to do with the number of Irish-Americans lost [in the World Trade Centre on 11 September 2001].’ Nuala O’Faolain Irish Times Magazine (3 November 2001).
How to wear a Claddagh ring
- in friendship: on the right hand, with the point of the heart towards the fingertip.
- engagement: on the right hand, with heart pointing to the wrist.
- marriage: on the left hand, with heart pointing to the wrist. Claddagh rings are used as wedding rings especially in Connacht.”
Paddy Sammon, Greenspeak, 2002.